this mess that i am

Olga. 32. Russian. phd student. currently living in Madrid. loves classic cinema, Deborah Kerr, Katharine Hepburn, Ingrid Bergman, Julie Andrews, Vivien Leigh, Lauren Bacall, Bette Davis, Ava Gardner, Alfred Hitchcock, Cary Grant, Spencer Tracy, Humphrey Bogart, Jimmy Stewart, Robert Mitchum, John Huston, Orson Welles and many others.

favourite tv shows:
Jeeves&Wooster, Battlestar Galactica, Damages, House (pre-S7), Mad Men, Golden Girls, Castle, Kingdom, The West Wing, The Closer, The X-files

currently watching:
Jeeves & Wooster (S1, re-watch), Studio 60 on the Sunset Strip (S1), Mad Men (S5), Bones (S7), King (S2)

i co-run:
FuckYeahDeborahKerr
IconicMovieScenes


TWITTER / LIVEJOURNAL

meme: OLD HOLLYWOOD / DEBORAH KERR


Orson Welles 23/50

Orson Welles 23/50


posted 3 days ago on 30/5/2012 - 148 notes - via humphreysbogart © oldfilmsflicker

Orson Welles 40/50

Orson Welles 40/50


posted 3 days ago on 30/5/2012 - 30 notes - via frdirector © oldfilmsflicker

Orson Welles 49/50

Orson Welles 49/50


posted 3 days ago on 30/5/2012 - 62 notes - via 2831 © oldfilmsflicker
Orson Welles & Anne Baxter dancing at Cannes, 1953.

Orson Welles & Anne Baxter dancing at Cannes, 1953.


posted 1 week ago on 22/5/2012 - 51 notes - via frdirector © missavagardner

i love it when you call me big pop-pa
throw your hands in the air if youse a true player

i love it when you call me big pop-pa

throw your hands in the air if youse a true player


posted 2 weeks ago on 16/5/2012 - 226 notes - via lucynic83 © salesonfilm

posted 3 weeks ago on 9/5/2012 - 50 notes - via humphreysbogart © humphreysbogart

posted 1 month ago on 16/4/2012 - 63 notes - via bellecs © lentecreativo.webs.com

bellecs:

Rita Hayworth in The Lady from Shanghai (1948)


posted 1 month ago on 11/4/2012 - 413 notes - via bellecs © bellecs

sterling-cooper-draper-pryce:

“I’m really honored to be part of this evening’s tribute to a man I’ve known and loved for so many years. Aside from the astounding impact he’s had on the theater, motion pictures and I suppose all forms of show business, he is completely and absolutely responsible for abetting and encouraging some of us to be become actors… If it hadn’t been for his interference, I could be very happily working for my uncle’s bank on Sycamore Street in Petersburg. I’ve never spoken before of this intrusion in my private life but now that I have the opportunity, let me say this to you Orson— thank you very much.”

Joseph Cotten speaking at Orson Welles’ AFI Tribute (x)


posted 1 month ago on 8/4/2012 - 88 notes - via tracylord © nazi-julieandrews

posted 2 months ago on 29/3/2012 - 29 notes - via deforest © humphreysbogart

jewahl:

Ingrid Bergman at the AFI’s tribute to Orson Welles.


posted 2 months ago on 20/3/2012 - 242 notes - via jewahl © jewahl
oldhollywood:

Joseph Cotten & Orson Welles on the set of The Third Man (1949, dir. Carol Reed) (via)

oldhollywood:

Joseph Cotten & Orson Welles on the set of The Third Man (1949, dir. Carol Reed) (via)


posted 3 months ago on 27/2/2012 - 536 notes - via juliemarsden © oldhollywood

posted 3 months ago on 25/2/2012 - 241 notes - via juliemarsden © smallnartless

nazi-julieandrews:

Although Welles is mostly commended for his brilliant directing job in this masterpiece, his performance also ranks among one of the greatest of all-time. At the age of 25, Orson Welles manages to believably portray a man who ages from 25 to 70 throughout the course of the film. He masters the part physically, portraying gradually increasing fatigue to the point that when he tears apart his wife’s room at the end, it comes as no easy task. He matches the physicality with great emotional depth as we see his ego begin to control him.

— Film Misery (x)


posted 3 months ago on 21/2/2012 - 453 notes - via mortimerbrewster © nazi-julieandrews

posted 3 months ago on 20/2/2012 - 51 notes - via 3rdplanet © 3rdplanet